JEAN-BAPTISTE BERNADET



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An artists book that compiles the work of the two Brussels-based artists Jean-Baptiste Bernadet and Benoit Platéus made during their recent residencies in New York, along with those made by Bernadet during his residency at the Chinati Foundation in Marfa, Texas.

Bernadet aims to let the painting itself direct the process by which it is made. Each of his gestures are either acts of invention or destruction that build a tension between disillusion and hope, pessimism and faith, the taste for the unfinished and the desire of achievement, the will to be clear and the inclination to enigmas.

Platéus, however, is a restless observer, who is precise, discrete and malicious. He introduces a distance between objects and their perception in order to shift them to the other side of a space with variable dimensions and multiple interpretations.

Each copy of the publication has been individually collated by the artists, so that every book has a unique sequence of images, creating new relationships and different dialogues in each book.

10½ x 8 inches (27 x 21 cm)
saddle-stitched, xeroxed cover
16 page newsprint, Fully illustrated in color
Edition of 500, Karma, 2011

www.karmakarma.org

Available in Europe at :
Yvon Lambert - Paris, Wiels - Brussels, Motto - Berlin










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For about three years, Brussels-based French painters Jean-Baptiste Bernadet and Xavier Noiret-Thomé have engaged in a sort of game which consists of buying interesting paintings for less than 5 € at flea markets. The artists separately purchase works according to their own findings and then share their discoveries with each other. Once acquired, these paintings find their way into the homes of Jean-Baptiste and Xavier, where they are hung alongside works by established artists without any hierarchy.

If price is the only rule of this otherwise very informal game, quality determines the purchase. In this price range, choice is obviously very limited but it's precisely because they often push back the limits of good taste that these "odd" works are interesting for both artists, whose production they reexamine. Sometimes, those “cheap” images also manifest an intense sincerity and a necessity which compels artists to express themselves.

Jean-Baptiste and Xavier's game reminds us of the Thrift Store Paintings by Jim Shaw whom, from 1974 to 2000, collected paintings from flea markets. However, it was in fact inspired by a game invented by Danish artists Asger Jorn, also co-founder of the Cobra movement, and Per Kirkeby, in the 1970s whose goal it was to transform bad paintings found in flea markets into "successful" ones.

Beyond the inexhaustible resource which flea markets constitute for artists, they also represent a possible fate. Without any context, critical support, or control by the artist and his or her gallery, any artwork could potentially wind up being picked up for less than 5€ on the Place du Jeu de Balle.

APE#010
Jean-Baptiste Bernadet & Xavier Noiret-Thomé 'Anonymous', curated by Devrim Bayar
140 x 190 mm, 16 pages, 4 color Risograph print
handnumbered edition of 100, Art Paper Edition 2011

www.artpapereditions.org

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